Friday, September 11, 2009

Passing Strange - A Spike Lee Joint



"All this might seem obscure, that would depend on who you are."
Stew's line that is easy to miss is a good tagline for Passing Strange. I had been waiting over a year to see Spike Lee's filmed version of the Broadway musical. I was lucky enough to see it during its too brief run at the Belasco Theater and it really changed my life. Its corny to say it, but Passing Strange of art really did affect me like no other work of art ever has. It really spoke to where I was at in my life at the time when I saw it.
So Passing Strange was filmed by Spike Lee to preserve the show forever and from the moment a director was announced, I became unbearably eager to see the finished product. It got shown on the film festival circuit to nearly universal rave reviews which intensified my desire to see the film.
I finally got to catch the film on Pay-Per-View at my girlfriend's parents' house. The verdict? It was truly amazing and just as touching, but very different. Seeing a show live and seeing something filmed are very different experiences because in seeing live theater, your eyes can wander to whatever actor you so desire. In a film, the camera tells you what to look at. So in that regard, the show was different. Also, since a camera can get very close to the actor's face, the emotional impact of the actors was much stronger.
One of the aspects that I really picked up on during this viewing was how connected every aspect of this show is. Everything you see and hear happens for a reason and each interaction furthers the main character's story bit by bit. I was also taken by the poetry that is Stew's script. So many portions of the script just flow because of the lyrical quality of his writing.
My girlfriend watched the film with me because I have been raving about PS for as long as I've known her. She owed it to me because she made me sit through Legally Blonde the Musical. She did not get into the show or follow it very easily both because of the way the story was presented (the plot jumps in and out a bit) and because she didn't get into some of the more performance art elements of the movie. So for this reason, I will say that Passing Strange is not for everyone.
Passing Strange is not your typical musical. It is experimental. It will make you think. It is full of pop culture references. It expresses truths about life. It is a heavy piece of musical drama, but it is also highly entertaining if you can get into it.
Needless to say, I highly recommend this movie and, honestly, I'm so attached to the show at this point that if you've seen it, no matter your opinion of the film actually is, I will respect you.


I just hope that it does well in Pay-Per-View and on DVD eventually because, like the Broadway show, they don't seem to be advertising this film very well...

Wednesday, August 12, 2009

Grief and His Due

Reading Aesop's fables, this story stuck out to me:
Grief and His Due
When Jupiter was assigning the various gods their privileges, it so happened that Grief was not present with the rest: but when all had received their share, he too entered and claimed his due. Jupiter was at a loss to know what to do, for there was nothing left for him. However, at last he decided that to him should belong the tears that are shed for the dead. Thus it is the same with Grief as it is with the other gods. The more devoutly men render to him his due, the more lavish is he of that which he has to bestow. It is not well, therefore, to mourn long for the departed; else Grief, whose sole pleasure is in such mourning, will be quick to send fresh cause for tears.

Saturday, August 08, 2009

Shows I've Seen Every Episode Of

I don't know why, but I feel like making a list of every show I've seen every episode of. It might tell you something about my tastes.

Lost
It's Always Sunny In Philidelphia
The I.T. Crowd
The Office (US)
Arrested Development
Tim And Eric Awesome Show, Great Job!
Flight Of The Conchords
Birds of Prey
V (Original, Final Battle, and 2009)
My Name Is Earl
Strangers With Candy
This American Life
Spaced
The Tick (Live Action)
The Mighty Boosh
Community
Glee

Clerks The Animated Series
Harvey Birdman Attorney At Law
The Brak Show
Futurama
The Big O
Cowboy Bebop
Trigun
Paranoia Agent
.hack//SIGN
Osamu Tezuka's Astro Boy (2003 Series)
Osamu Tezuka's Phoenix
FLCL
Superman (1990's)
Justice League (And Unlimited)


And I've been working through all 20 seasons of The Simpsons for the last couple of years. I've watched over 11 seasons so far. (And I'm working on Weeds and 30 Rock, too.)

Wednesday, August 05, 2009

Osamu Tezuka...

Is a new hero of mine. I will make it my goal to read every one of his works that have been published in the United States.

The Hair movie

Never have I seen a film so totally disregard its source material. The main similarity between Hair on stage and Hair on film are the songs.

Friday, July 17, 2009

The Joe Iconis Rock And Roll Jamboree @ Joe's Pub - 7/17/09

I was made aware of Joe Iconis' music a few months ago when I listened to a podcast that the award-winning songwriter appeared on. I was immediately taken by his honest and funny lyrics. I looked up his website and found some other songs he wrote. I immediately falling in love with Blue Hair and Helen's In Skin Flicks Now. Go download those songs from his site. Now.
Imagine my surprise to find that he was performing a show with his posse at Joe's Pub while I was visiting New York City from Gainesville, Florida. I immediately bought a ticket and was ready for anything.
The show itself was amazing. I am further convinced that Joe Iconis is like some lovechild of Ben Folds, William Finn and Stephen Schwartz. He writes killer melodies, fantastic, playful and insightful lyrics and he puts on a truly remarkable show. The thing about Mr. Iconis is that he is not the strongest of singers on his own, so he surrounds himself with a number of singers and performers, so his shows come across almost as musical productions rather than just normal concerts. He chose his group of singers well and the types of voices he selected for each song suited the theme of the given piece.
I will attempt to review each song, but keep in mind, I was so taken by most of this show that I would go so far as to say that each and every one of these would be on heavy rotation on my iPod if they were available in some sort of recording (although he hinted at an upcoming record!). Sadly, he did not play any songs that I knew of his, but that didn't matter really because the songs he did perform were so good that I didn't really care.

NOTE: I tried to link the songs to youtube videos I found, but I can't really tell you how similar the performances are because I am on a hotel computer with no sound.)
The Whiskey Song - A great, energetic Jamboree (appropriate) style song to get things started and the crowd energized.
Anymore - A nice little duet that Joe sang with Krysta Rodriguez. Very beautiful song about the decay of a relationship from both perspectives.
Lonely Woman - One of the funnier songs of the night, a little ditty about a lonely woman who has lost certain social skills. (Apparently Anthony Rapp sings on the video I found. He didn't sing at this show.)
The Vagabond -It was like Bob Dylan meets modern pop. Great stuff.
Everybody's At The Bar - Talk about intense. Katrina Rose Dideriksen has one of the better voices I've heard in a long while. A quick glance at her wikipedia tells me that she originated the role of Edna Turnblad in the Las Vegas version of Hairspray. The song is something of a slow burning jam about being left home while all of your friends are out... so let's grab the whiskey and have a night to ourselves. Katrina really nailed it and this ended up being one of my favorite songs of the night.
Rosalie - Joe's bassist, Ian Kagey, sang this one, and sadly, I felt it was the weakest of Joe's songs of the evening because, well, I couldn't hear the lyrics very well! Thats one of his strongest suits and they were lost under the music. Oh well.
Sorta Kinda Not So Bad - Joe called this his "For Good" from the musical he wrote, The Plant That Ate Dirty Socks. It was more or less a straightforward showtune. Fun stuff.
Hatchet Job
Hatchet Job - A song that I liked the music to, but the singers, the so-called "Kissin Kazoo Sisters" didn't really do it for me. Their little act of trying to sex up the kazoo seemed like it might do okay at a cabaret, but in this show, it just didn't fit, y'know? Context.
If You Like It - Now THIS is how you do a sexual song. Mary Testa, two-time Tony nominee, sang this song that, well, I'm not gonna describe. Just watch the video if you want to. She kicked this song's butt all over the floor and it was truly fun to watch and listen to.
Last On Land - Apparently this song is from Iconis' new untitled musical project. Really a great piece. Great use of harmonies and it built up very well.
Lisa - A beautiful song about love and how it really changes you and makes you want to be better for the person you love. Performed by the fabulous Katrina.
Honey - Apparently this was Iconis' most popular song with his fans at the show because after the first couple of notes were played, a bunch of people started screaming bloody murder. Great song though. A pop gem.
The Goodbye Song - Another song that builds really well. Great stuff.
Penny Dreadfuls - I really love it when a show leaves me singing a song after I leave, and I found that to be the case with this song. I was humming it all the way back to my hotel on the subway. Fun song, great melody, like most of this show. Great ending to a truly fantastic show.

Needles to say, I truly enjoyed this show. One of the better shows I've ever seen, to be honest with you. Its like this guy writes music in the exact styles that I want to hear, and there aren't many people out there that can do that. And the show was fun, which is always something I look for in performers.
As a whole, the show was like a fantastic pop concert mixed with a musical and performed with the energy of a Pentecostal church service and Joe Iconis is one of the best songwriters I've had the pleasure of hearing yet. Keep an eye on this guy. He's going places.

Wednesday, July 15, 2009

The Best Ofs Playlist Vol. 1

Starting a series of playlists I hope to produce for this blog, I will begin with Rufus Wainwright. Here are his best tracks, even though it is hard to shrink down his best songs onto one CD, because he has written and performed so many amazing tracks. They are not in order of "best," but I put them in this order for a reason. See if you can tell why.
1. Cigarettes And Chocolate Milk from Poses
2. Greek Song from Poses
3. Grey Gardens from Poses
4. Going To A Town from Release The Stars
5. Sanssouci from Release The Stars
6. The Art Teacher from Want Two
7. When, In Disgrace With Fortune And Men's Eyes from When Love Speaks
8. Spotlight On Christmas from Maybe This Christmas Too
9. Complainte De La Butte from Moulin Rouge
10. Hallelujah from Shrek
11. Zing! Went The Strings Of My Heart from Rufus Does Judy At Carnegie Hall
12. I'm Leaving For Paris from The Black Session
13. Oh What A World from Want One
14. Vicious World from Want One
15. Pretty Things from Want One
16. Across The Universe from I Am Sam
17. 14th Street from Want One
18. Foolish Love from Rufus Wainwright
19. Damned Ladies from Rufus Wainwright

Wednesday, July 08, 2009

Sweet Jams

Music I've Been Digging Lately:

Florence + The Machine
- Lungs
Duncan Sheik - Whisper House
This Mashup
Phoenix's Lisztomania
and
Paxico Via Mexico's Burning Summer